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Recording and mixing, Leith

Three rooms tied to one analogue desk. Bands track live, singers get the booth, and every mix leaves through the same faders.

Scroll to push the fadersDrag a fader

Since 2009

We are a small studio in an old rope works by the docks. No assembly line, no hourly upsell. You get two engineers who listen before they touch a knob, and rooms that make a band sound like a band.

An engineer mixing at a console in a dim control room
  • CH 013Rooms, one desk
  • CH 0248Analogue channels
  • CH 03400+Records made here

Rates

Rates by the day

Engineer and assistant are always included. No hidden costs for the piano, the tape or the coffee.

Rates
TrackingControl A, Live Room and Booth Half day£420 Day£760 Lockout week£4,200 Engineer, assistant, all mics and instruments
Vocals and overdubsControl A and Booth Half day£260 Day£480 Lockout week£2,600 Engineer, valve mic pair, comping
MixingControl A Half day£340 Day£640 Lockout week£3,500 Mix engineer, two rounds of notes, recall
MasteringControl A Half day£180 Day£340 Lockout week£1,800 Streaming, vinyl and CD masters, stems
Dry hireAny room, your own engineer Half day£220 Day£400 Lockout week£2,200 Assistant on call, house tech check

Gear

What is on the patchbay

A short list of what people ask about. The full list, with every microphone and every box in the racks, is on the gear page.

Gear

Desk48-channel inline analogue console, 1987, fully recapped

Work

Out of this room

A shelf of tape boxes from the last few seasons. Hover a spine to pull it out.

Work
  • 2025Hollow SignalLow Tide LightsRecorded
  • 2024Isla BrannockPaper SaintsProduced
  • 2025The Quiet ArcadeOverpassMixed
  • 2023Mara Lindqvist TrioHarbour HoursRecorded
  • 2025Fen and FableSaltmarshMastered
  • 2024Copper LungStatic BloomMixed
  • 2026Odile MarrsSmall HoursProduced
  • 2023Northern WiresDock RoadRecorded

Session

How a session runs

The same four steps whether you book one day or three weeks.

  1. 00:00

    Talk

    A call about the songs, the references and the budget. We plan rooms, days and who sits on the desk.

  2. 00:45

    Track

    Live together where we can, overdubs where it helps. Rough mixes go home with you every night.

  3. 02:30

    Mix

    On the desk, with recall notes for every song. Two rounds of notes are part of the price.

  4. 04:00

    Master

    Final masters for streaming, vinyl and CD, plus stems and instrumentals in one folder.

Engineers

Who sits on the desk

Three engineers, each with their own room they love most.

Engineers
  • Marnie Elsworth working at the desk with headphones on the table

    Live Room

    Marnie Elsworth

    Founder, recording engineer

  • Anselm Rask mixing at the console in the dark

    Control A

    Anselm Rask

    Mix and mastering engineer

  • Ama Quaye at the desk between two lamps and the monitors

    The Booth

    Ama Quaye

    Producer, vocal sessions

They kept the mistakes that made it ours and fixed the ones that did not. We tracked eleven songs in four days and none of it feels rushed.

Hollow SignalLow Tide Lights, 2025

Marnie hears a song before you have finished playing it. The vocal sound she found in the booth is the sound of the whole record.

Isla BrannockPaper Saints, 2024

We came in with demos from a bedroom and left with a record that sounds like a room full of people. Because it was.

The Quiet ArcadeOverpass, 2025
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Booking

Press talkback

Tell us about the songs and the days you have in mind. We write back within a day with what is free.

Book a session